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Post by druan on Dec 20, 2012 10:02:19 GMT -5
I get what you ate saying.... I also face the challenge of getting other guitarists or musicians to throw in a 7th chord every now and then when we jamming, but I have to say jazz has opened up a world of new horizons for me, and I recommend the genre to any one who is open minded and not scared to try something new.
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Post by druan on Dec 20, 2012 9:47:44 GMT -5
This is a cool forum, lots of info and lots to learn here....I have one suggestion though. It will help if there is an option enabling members to upload an avatar from their computer, just a suggestion though
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Post by druan on Dec 19, 2012 19:21:18 GMT -5
I just received an additional three baby cats the other day. I decided to keep one. her name is Flame, coz it looks like there is a flame on her head.
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Post by druan on Dec 19, 2012 19:07:27 GMT -5
hey everyone, this is not necessarily a jazz theory question, but it is a theory question nonetheless. I have been checking out some spanish music and came across this progression: Am - Gmaj - Fmaj - Emaj - now I noticed that diatonically the iii chord would be Em, but Emaj sounds great, why does Emaj work and sound so great in this progression?
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