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Post by druan on Dec 19, 2012 19:07:27 GMT -5
hey everyone, this is not necessarily a jazz theory question, but it is a theory question nonetheless. I have been checking out some spanish music and came across this progression: Am - Gmaj - Fmaj - Emaj - now I noticed that diatonically the iii chord would be Em, but Emaj sounds great, why does Emaj work and sound so great in this progression?
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